独裁统治的戏剧 戒严令和菲律宾的共产党
独裁统治的戏剧
戒严令和菲律宾的共产党
作者：Joseph scalice
格式
纸质版
$41.95
精装本
$125.00
电子书
$27.99
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独裁的戏剧》揭示了在1972年费迪南德-马科斯宣布戒严的冲突中，敌对的共产党所扮演的角色。约瑟夫-斯卡利斯利用当时大量的激进主义文献，揭示了被中苏争端撕裂的两个政党--人民党和共产党，是如何将当时爆炸性的群众斗争置于敌对的精英阴谋家的背后。人民党支持马科斯，而人民党则是他的资产阶级对手。由于缺乏一个独立的捍卫民主的群众运动，独裁统治成为可能。
独裁的戏剧》认为，戒严制度从根本上说不是马科斯个人追求继续掌权的结果，而是表达了该国统治精英的共识，他们面对日益严重的社会动荡，认为独裁形式的统治对于维护他们的财产和特权是必要的。马科斯的资产阶级反对者并没有捍卫民主，而是像马科斯一样，谋划着反对民主。
The Drama of Dictatorship
Martial Law and the Communist Parties of the Philippines
FORMAT
- PAPERBACK$41.95
- HARDCOVER$125.00
- EBOOK$27.99
The Drama of Dictatorship uncovers the role played by rival Communist parties in the conflict that culminated in Ferdinand Marcos' declaration of martial law in 1972. Using the voluminous radical literature of the period, Joseph Scalice reveals how two parties, the PKP and the CPP, torn apart by the Sino-Soviet dispute, subordinated the explosive mass struggles of the time behind rival elite conspirators. The PKP backed Marcos and the CPP, his bourgeois opponents. The absence of an independent mass movement in defense of democracy made dictatorship possible.
The Drama of Dictatorship argues that the martial law regime was not fundamentally the outcome of Marcos' personal quest to remain in power, but expressed rather a consensus in the country's ruling elite, confronted with mounting social unrest, that authoritarian forms of rule were necessary to preserve their property and privileges. The bourgeois opponents of Marcos did not defend democracy, but, like Marcos, plotted against it.
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