What non-Christian book taught you Christian lessons?
This is the continuation of a previous answer, which provides crucial context for the following paragraphs: I was initially mystified about True Son and Stone Girl’s decision to journey together as outcasts to colonial-era Detroit. Conrad Richter’s reference evoked a place that was home to a French-speaking community and Catholic missionary efforts in the Great Lakes Region, so I wondered if Detroit represented Richter’s yearnful hope/intention for Stone Girl and True Son to attain salvation under the Catholic Church. By re-examining The Light in the Forest and A Country of Strangers, I realized that a number of poignant scenes and pivotal events occurred at (or evoked) the presence of water. This enabled me to understand Richter’s belief in a Triune God despite his rejection of an institutional faith. For contextual background, True Son and Uncle Wilse became enemies after the former confronted Wilse about his active participation during the Paxton Boys’ massacre of the Conestoga Indians. True Son grasped how his uncle’s higher-minded “Christian” principles failed to constrain Wilse from murdering unarmed co-religionists from a Native American community. In Paxton, True Son also scoffed at the religious environment of the Butlers’ church: “The whites were very foolish to believe that the God of the Whole Universe would stay in such a closed-up and stuffy place. The Indians knew better- that the Great Spirit loved the freedom of woods and streams where… nature made an endless bower of praying-spots and worship-places” (73). But True Son faced pressure to mold himself into John Cameron Butler in an environment where Christianity was co-opted to sanctify settler-colonial institutions and presumptions. Myra Butler fretted over her son’s life under “...heathen darkness and ignorance” and Parson Elder believed that John had “...been in the hands of the heathen for more than ten years… [and raised] the way that he was not intended by his Maker to go” (53 and 97). The Butlers and Parson Elder assumed True Son’s physical and religious salvation derived from acceptance of White social norms. After escaping from Paxton, True Son returned to his Lenape village and joined a warrior party which sought retribution for Little Crane’s scalping. True Son was troubled upon seeing a white child’s scalp and realized that the Lenape weren’t as principled and heroic as he had believed. Despite viewing Native Americans as justified against White settlers, True Son confronted the fact that Lenape warriors could shed innocent blood in battle. The next day, True Son and the raiding party learned that a boat of white settlers would approach them. The night before the scheduled ambush, True Son had a dream about his “white parents” and younger brother Gordie. True Son’s dream featured snow as a symbol of purity (Psalm 51:7) as the Butlers searched for their son before the snow melted into a river. It also showcased a boat whose passengers included a mother and child who faced danger ahead (in the form of a waterfall). True Son was forced to confront how his birth parents had genuinely loved him in spite of his inability to know or relate to them. He also recognized how the Butlers were real people whose affection was true despite their prejudice and misunderstanding. The waterfall was interpreted as a metaphor for danger, but waterfalls also represent justice (Amos 5:24) and spiritual transformation (Psalm 42:7) in the Bible. True Son needed to make a decision about the fate of real people who were not caricatures. He could inflict pain and death by carrying out the ambush, but warning the boat would result in change by causing True Son to act on his conscience (Acts 2:37). True Son wouldn’t have betrayed the Lenape until he had lived alongside the Butlers and grown attached to Gordie (who lacked prejudice against Native Americans or a blood debt). A Country of Strangers described how Stone Girl visited Lake Erie, or “The Great Sweet Water” after she had tried to escape forced repatriation to colonial Pennsylvania. Stone Girl feared “...this watery world, unstable, desolate, and never still” would result in her boat being sunk (21). Exposure to the tempestuous wind and lake surface mirrored the terror and uncertainty of the unknown in Stone Girl’s heart and unfamiliar surroundings. Like the lake itself, Stone Girl felt buffeted by the chance of fate and circumstances that were beyond her control or understanding. Richter’s description of a restless lake is an interesting foil to how Jesus walked on water and calmed the Sea of Galilee (Mark 4:35- 41). As the Word made Flesh, Jesus demonstrated how His people would be delivered from danger (John 1:14 & 6:16-17) and that God would be with them for salvation (John 6:20 & Exodus 14:13). Stone Girl did want to keep living, but she had lost control of her circumstances and self-destiny. Later on in A Country of Strangers, True Son expressed unspoken interest when Stone Girl proposed that she would accompany a party of Miami/Twightwee raiders and wed one of their men if they released Nan (Stone Girl’s white sister). But “there was no reprieve” for Nan, and so Stone Girl had to accompany the warrior party to prevent Nan from being scalped. During this journey, Stone Girl and True Son found time to discuss their backstories on “...the Tuscarawas and Walhoning and the Great Sweet Water” (142 and 147). In short, bodies of water had provided life, nurture, sustenance and direction for Stone Girl and True Son (Psalm 46:4-5, Revelation 22:1-2, Ezekiel 47:1-12 & Matthew 28:20). The beginning of Stone Girl’s expulsion from the Native American world occurred after she defended Nan from the wrath of her abductor, Osgaak. When Stone Girl’s son Otter Boy tried to defend them, Osgaak lifted Otter Boy by his legs and bashed his head against a hemlock stump. True Son had retaliated when Uncle Wilse scalped a beloved Lenape friend (Little Crane), and Stone Girl killed Osgaak to rescue her White sister and avenge Otter Boy. Stone Girl knew how White society tended to think that “...the Indian needn’t do anything wrong. He need only be Indian to be wrong,” but also understood how Native Americans could commit atrocities when they sought redress through retaliation (163). Stone Girl did not believe in Original Sin “...[because Indians] didn’t kill the white god [mentioned in the Bible],” but hemlock signifies how people don’t always follow their conscience (Amos 6:12). After Stone Girl and Nan successfully escaped from the Miami raiding party, they rested at a sandy spring that “...The Great Spirit has prepared” (153). Stone Girl dug a grave for her son there. Before Stone Girl parted from her white family forever, she wondered how Otter Boy could be taught to hunt in the afterlife: “...how could he find… [Espan, her father, or grandfather] among so many who had gone before?” (164). In turn, Richter’s mention of sand evoked Christian concepts of inclusion, outreach, cognizance and transcendence (Jeremiah 33:22). The stump and spring signified provision (Isaiah 58:11 & John 4:14), protection (Revelation 21:2-27), resurrection (Job 14:7-9) and safety (Genesis 21: 19-20 & Isaiah 32:2-3). Stone Girl inadvertently evoked theological questions: God can provide for everyone as the Universal Creator (John 14:2). But is it God’s very nature to universally extend grace, salvation, and provision? At the end of A Country of Strangers, Stone Girl took a final glimpse at the inside of her white family’s house before she rejoined True Son at the edge of the forest. True Son and Stone Girl planned to travel on the Allegheny River before arriving at the Great Sweet Water and “...a fort and two portages if you can carry” (167). True Son and Stone Girl had lost their respective birthright inheritance from Native and White society (in the form of land, property, welfare and social status). The past was a foreign country from which Stone Girl and True Son could never return to. The two characters belied the “in-group” appraisal of history as a source of values, destiny, belonging, provision, skill, grandness of spirit, striving, larger-than-life honor, ethos, insight and heroism. True Son and Stone Girl would toil along the sidelines of two worlds without enjoying the embrace, security, understanding, acceptance and resources of either side. They would not be “valued” for personifying the will/spirit/constructs/interests/legacy of White or Indigenous identity. To work at Detroit as manual laborers in the portage field might have represented Richter’s allusion to the idea that True Son and Stone Girl had to carry the burden of unchosen legacies while being surrounded by people (Native and White) who were transitory figures at best (23). In exile, Stone Girl and True Son would have to encounter, understand, shoulder the costs of, and recognize ideals of humanity and honor behind groups that wouldn’t include them or see them as anything other than vestigial members on the margins. As boat carriers, True Son and Stone Girl needed physical and inner strength to serve people who would arrive and leave without deeper connection, permanence, or attachment. On a more hopeful note, the Bible indicates how boats symbolize a source of security amidst an unpredictable world (Genesis 7:1-10), deliverance (Matthew 13:2), and salvation (Matthew 4:21-22 & Luke 8:22-25). Stone Girl and True Son’s decision to travel together also recalled how “if either of them falls down, one can help the other up” (Ecclesiastes 4:9-12) and Richter’s epigraph from The Fates of Men. Richter may have evoked the St. Clair and Detroit Rivers to symbolize how rivers resonate larger-than-life notions of course, strength, and continuity upon a greater scale than the transmission of stories/ideals that are renewed across successive generations, cultures, and time. In popular imagination, rivers do not cease despite the poignancy of human development, exertion, sorrow, idealism, resolve, pride, identification or mortality behind a person’s desire to remain true to themselves (John 7:37-39). The Great Lakes in turn would invite Stone Girl and True Son to contemplate their self-character or depth during moments of respite. Lakes spiritually represent God’s outreach (Matthew 13:47) and rivers signify eternal life (Revelation 22:1). Conrad Richter: A Writer’s Life by David R. Johnson posthumously indicated how Richter was born into a Pennsylvania family which descended from colonial-era German immigrants and expected him to follow the example of his father, grandfather, and uncle by becoming a Lutheran minister. Instead, Richter rejected these expectations by failing to spiritually connect to Lutheran worship, faith, and cultural tradition. At the same time, he couldn’t reject faith in God (3–8). For me, Richter’s Biblical allusions and firm repudiation of settler-colonial Christianity indicate how people in the United States generally choose their religious beliefs (or leave them) rather than having them pre-determined at birth. It was evident that Richter (like Stone Girl and True Son) was unable to inherit or transmit an expected birthright, legacy, and social position. Richter had to leave behind financial security and communal esteem during his personal quest to truly know God. I’m not entirely sure why Richter had God “subtly and belatedly” intervene in True Son and Stone Girl’s lives, rather than preventing their childhood abductions. This may reflect how Richter’s life had observed the carnage, destruction, violence and genocidal murder of two World Wars. After 1945, he also had to live under the shadow of nuclear annihilation. Richter wanted to be assured “...that life was meaningful, and that the soul survived after the death of the body” (8). He also believed in the theory of cell deprivation: “only though energy starvation [from stress caused by pain] do cells and thus organisms grow stronger... Thus adversity… is the opportunity to grow” (7–9). Stone Girl and True Son would have overcome the senseless upheaval of their lives by accepting “...the opportunity of highest attainment, through choice and personal action… [from taking] advantage of adversity” (9). Richter himself upheld that “...God will only help me if I face our troubles and figure out the best way to overcome them… quickly and definitely.” He genuinely felt “...afraid not to trust God” for greater meaning, outreach, hope and understanding (89). The idea that True Son and Stone Girl might reconsider aspects of Christianity in the form of Catholicism was intriguing because A Country of Strangers was published 4 years after John F. Kennedy (he was America’s first Catholic president). Johnson noted how Richter and other Americans fretted over “...electing a Catholic to the White House, but he worried more about trusting the office to too young a man” (327). Catholic-Protestant animosity had diminished across the U.S. due to the Cold War, cultural assimilation, and ecumenical dialogue stoked by the Second Vatican Council (1962-1965). However, it is clear that Richter was influenced by Protestant notions of individual faith and grace. He had abandoned Cultural Christianity and unquestioned loyalty to ‘cliched religiosity’ despite incorporating a priest, French culture, and Catholic evangelization into A Country of Strangers. *Neither answer should be posted behind a paywall.
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