俄罗斯视觉艺术有任何影响吗?

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当然!三位著名的俄罗斯画家是 Ivan Aivazovsky、Wassily Kandinsky 和 ​​Kazimir Malevich。俄罗斯视觉艺术哈


我祖母的客厅里有一幅伊万·克拉姆斯科伊 (Ivan Kramskoy) 的画作。

当我还是个男孩的时候,我确信她拥有原件。我喜欢去看望祖母的原因之一(除了鞑靼 echpochmak 馅饼)

这幅画(当然是原作)在莫斯科的国家特列季亚科夫画廊。

然后我最喜欢的是齐娜伊达·谢列布里亚科娃 (Zinaida Serebryakova)

非常迷人,这是她的自画像……她可能与谢列布里亚科夫先生幸福地结婚了。

妈的,我现在想去莫斯科参观特列季亚科夫画廊。

瓦伦丁·塞罗夫 (Valentin Serov) 的著名和流行画作《抱桃子的女孩》。(瓦伦丁塞尔

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Dima Vorobiev 的头像
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我是俄罗斯人,所以对我来说,命名我们的三位画家是作弊。因此,直接进入第二个问题。

俄罗斯视觉艺术有任何影响吗?

是的。只是一个简单的例子

苏联艺术将俄罗斯帝国的精英主义、贵族传统与古典马克思主义的进步主义完美主义融合在一起。因此,下面是斯大林主义艺术的经典之作之一,费奥多尔·雷舍特尼科夫 (Fyodor Reshetnikov) 的《再次低分》(Low Marks Again ) (1952)。一个苏联城市家庭对小学生惨淡的成绩感到失望。父亲似乎在二战中阵亡,所以男孩有望成为家庭未来的保护者,这就是为什么姐姐似乎和她妈妈一样担心。弟弟脸上写着:“这败家子不会保护人的,你等着我吧。” 狗是唯一表现出同情心的人。

上面的主题是重新设计的“不及格!” 来自 19 世纪的艺术家德米特里·朱可夫 (Dmitry Zhukov),传达了大致相同的信息,如下所示。在这里,这个家庭似乎陷入了困境,男孩的妹妹生病了,妈妈不得不靠缝纫维持生计。这只狗,显然是一个更纯种的种族,是在责备而不是同情。

这一传统在更大的意识形态背景下的变体是谢尔盖·格里戈里耶夫 (Serguey Grigoriev) 的“疏忽学生”(Negligent student) (1950)。在这里,一群苏联青年和他们的成年同志对一个可悲的懒鬼男孩进行了经典的共产主义羞辱会议。

这个主题显然启发了当代中国艺术家王兴伟:“又没有A级?” 在这里,一位成功的父亲非常担心他的儿子,一个共产主义学童,不会成为像他一样出色的超级成就者。

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快点说出星球大战中的三个角色!

现在,说出陀思妥耶夫斯基的白痴中的三个人物!

哦,天哪,似乎使用你的指标,大多数人会同意星球大战对文学或其他任何东西的影响比古典文学更大。

And no, I cannot name three Russian painters at all. If this proves that Russians had no influence on visual art, than I have to add that I struggle to name three British, German or American painters.

I can name three or more Czech names somehow, perhaps some French, Spanish, and Italian - well, because some of them I like and some of them were pa

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Rodchenko

Tatlin

Kandinsky

The impact of those ethnic Russians, together with ethnic Poles (Malevich) and Jews (Lisitsky, Chagall) who were working in Moscow and St. Petersburg and considered themselves Russian by culture, is hard to over-estimate. The modern graphic design is significantly based on Russian Constructivism. In particular, the Obama campaign plagiarised quite a few (that doesn’t make them Communists, just knowledgeable and professional).

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God, there are dozens of them. Bryullov, Aivazovsky, Shishkin, Levitan, Malevich, Vasnetsov, Surikov, Vereshchagin, Kandinsky, Kustodiev, Repin. Okay, it took Google to compile this short-list, but I know all these artists. And without Google: Aivazovsky, Malevich, and Vasnetsov were the first to come to my mind. So Yes - you can name three Russian artists without the help of Google, even if you are not interested in painting.

Ivan Aivazovsky, one of the most impressive marinists of his time:

Kazimir Malevich, the founder of such a trend as Suprematism (as well as the author of some paintings in

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wow! have you heard of Malevich? All of modern and constructivism movement that influenced not just artists but world famous architects like Zaha Hadid, Daniel Libeskind, just to name a few! His influence continues to impress. Is this even a serious question? What about Rothko (Rothkowitch)? Who was born & came to the US at 10, receiving a lot of formative thingking and world view in Russia. How about El Lissitsky? Tatlin? The latter gave the world the letatlin tower that has had enormous influence on the development of the arts, design and architecture… I can go on & on

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Naming artists without looking them up or looking at other answers:

Kandinsky, Repin, Serov, Goncharova, Chagall, Somov, Serebriakova, Aivazovsky, Malevich, Lissitzky, Ivanov, Ge, Shishkin, Bakst, Lushpin, Pyankov, Jawlensky, Fechin, Vrubel, Kramskoi, Rublev, the Soyer brothers, Stozharov.

Up until the 20th century Russian painters were more influenced than influencing, but soon afterward some of them were in the forefront of modernism. With the predominance of Socialist Realism, Russia lost its impact on art. Nowadays there are some talented painters, but they don’t influence art in general.

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Repin, Levitan, and Pisarenko.

Russian visual art was kept from the West throughout the Cold War and so these works did not reach as wide an audience in the West as they should have.

It probably has more influence, historically, to other bloc countries than to America. I can't speak about Europe or the Middle East.

But let's not forget Mark Rothko, who was a huge influence in America.

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Kandinsky, Malevich, Lissitzky, Popova, Tatlin (more of an architect, but), Rodchenko, Stepanova.

Constructivism (art) - Wikipedia, baby. Still one of the coolest things to have come out of the USSR.

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Easily…Marc Chagall, Wasily Kandinsky, Tamara de Lempicka (you’ve seen her famous Deco paintings in ITV mysteries set in the times of Hercule Poirot).

Ilya Repin was so famous he started a school that’s turned out dozens of famous artists. I curate a feed of contemporary figurative painters on Twitter (twitter.com/Uridev) and often post fantastic Russian painters like Anatoly Kalugin, Vsevolod Shvayba & Serge Marshennikov. These pictures are from my Twitter feed, sorry if the nudity offends.

Anatoly Kalugen, oil

Vsevolod Shvayba

Serge Marshennikov, oil on canvas

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First of all, that depends on the definition of “ethnic Russian”. Because, if we would follow the “one drop of blood” rule, we would be hard-pressed to declare anyone “ethnic Russian”. Who knows what kind of ancestors a person had centuries ago?

On the other hand, if we would follow the more reasonable “mostly Russian” rule, we would declare “Russian” a lot of people who are frequently cited as “not Russian” or “not exactly Russian”. For example, best Russian poet Alexander Pushkin had a black African ansestor, but his other ancestors were all Russians, and he had no cultural relation to anythi

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Why the game? Repin was a superb painter. He caught expressions and body weight perfectly. He had the kind of sharp tonal relationships that later painters Sargeant, Manet, and a few others had. Courbet and Velasquez before him. But even more incisive, something very late 19th century when certainty was the aim (Cezanne said certainty was the thing he wanted… it was in the air). Nothing blousy like Cassat or Monet or Renoir. Strict. The Burliuk brothers, twins, Daniel and David (I have a twin named David too) were not bad. I like Natalia Goncharova because she made enormous paintings in a stud

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Typically Russian art is the one reflecting our national idea: power. It’s the enormous patriotic monuments, military marches and songs about fallen heroes, paintings about the moments of state glory and people sacrificing themselves for our state.

The flip side of the same theme is the narrative of escape. Orthodox icons pioneered it, showing the world of bright, saturated colors, harmony and compassion so sadly lacking in real life. Later, landscapes and scenes showing privólye (large uncluttered spaces) gained prominence. The life of free Cossacks and other people and pastimes in a blessed a

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